Earlier in this class, we read Stefan Müller-Wille and Isabelle Charmantier1 (a.k.a M-W & C) on how Carl Linneaus stored plant descriptions in various different paper systems, how it connected his scholarly community, and how it shaped his evolving classification. As many of you noted, one of the big differences between their work and Ann Blair’s was how firmly M-W & C described the actual paper operations of an individual data collection.
For this assignment, you will practice the same skills by going into the archives to find and investigate the origins of a dataset by looking at the paper it was stored on.
|Task||Date||Is this part graded/checked?|
|Choose an archival collection and set up a time to visit.||Weds March 2-4||Discuss in class on Monday March 2; register via e-mail Wed March 4.|
|Visit an archive||Week of March 2 or March 9||No|
|Present a problem in classes||March 23th or 25th||Obviously!|
|Write-ups due||Friday April 3rd by 5pm||Obviously!|
Find a pre-1945 organized, unpublished data source at a local archive or museum, or (post-COVID) website and look at it. We can easily each explore a different archive in the city. You may only use NYU’s own archives by special permission.
There’s no universal definition of an “organized, unpublished data source.”
Organized means you should strive to find something more structured than simply (say) all of a person’s letters. It should be organized by its creators, not by the archivists after the fact. And if it is not obviously data, be prepared to argue why you think it should count.
Data is plural. It doesn’t have to be numbers: but I roughly mean, “a record of many things of the same kind.” Or think about it functionally–would this thing live in a database today?
Unpublished means you can’t use a printed volume.
Some useful keywords to use in your search may be “ledger”, “account book”, “logbook”, “log”, “tables,” or (sometimes) “file.”
In previous iterations of this assignment (in Boston), students have looked at:
‘Summitting’ slips at the Appalachian Mountain Club archives: pieces of paper kept in glass bottles atop mountains on which 19th-century climbers wrote their names and other information to record their feat.
The records of a pharmacy at the Harvard Medical School’s Countway Library for the History of Medicine. This was an overflowing book into which a pharmacist glued the actual scrip every time they filled a prescription.
Muster records from the Civil War, stored at the National Archives, showing how the citizens of particular Massachusetts towns enrolled in regiments into the Grand Army of the Republic, in formats that changed as the war went on and the draft began.
Take care in choosing a source; you probably want to look at a few. Double entry bookkeepping is notoriously difficult to understand, for example: and handwriting from before about 1860 can be extremely difficult to read. Don’t be afraid to change your source in the archives for a better one.
Post-COVID: Likely use online sources. Most of you have found these already.
Since our class is small, each student can choose a document from a different archive.
New York City probably has more and more varied archives than any city in the world. Only national capitals can compare. Many of the museums and libraries on the tourist track have associated archives that let you experience.
There are a number of general purpose libraries that will have all sorts of different things.
Many organizations have much more specific-purpose collections; either to preserve their own materials, or to collect in just one area. Pretty much every museum along Museum Mile on Fifth Avenue, from The Metropolitan Museum of Art to the [Museo del Barrio] has some special collections and archives. So do organizations like the New York Philharmonic, the there is an institution or subject area you’re interested in, we’ll see what we can find.
Archives are different than libraries because most items in an archive are the only copy in the world. Archives have two jobs.
To help the public access and understand the irreplacable materials in their collections.
To keep the items in their collections safe.
As a visitor, try to help them with both. Here in the United States, most archivists will be excited to help you find collections as long as you approach them professionally. The most important advice is that, especially if you are visiting anything other than the
Archival policies on computers, photography, and so forth vary widely. At some archives, you can take all the pictures you want; at others, you can only take notes using their pencils on paper they provide. Follow the rules. If you have a digital camera, it’s a good idea to bring it; ask whether you are allowed to include pictures in a class report, and if you could post it on the Internet.
We will set aside time on three days for class discussion.
Everyone is scheduled for March 23 or March 25. Fallback may happen to March 30, but be aware that this leaves you little time to write up your paper.
If the first two letters of your NYU netid begin with the following letters, you’re on Monday the 23rd:
'ri' 'as' 'mw' 'gs' 'ns' 'nb'
If it begins with the two following letters, you’re on Weds. March 25.
'jr' 'dm' 'rm' 'ag' 'ry' 'bl' 'il' 'sb'
Please upload to NYU classes: there is a folder called “Archival Images and questions” where you should be able to create a thread with an image.
After presenting, you should write up your project as a 2000-2500 word paper. This will include your description of the artifact and any open questions you raised (hopefully slightly better developed than the presentation.)
This will be roughly 6-8 pages. It often makes sense to include images; if you do, they should be directly discussed in the text and as close to the paragraph where you discuss them as possible.
Your paper will include substantially the same material as your presentation, but should be structured more centrally around the single artifact you are discussing. Any additional items you viewed in the archive should be discussed in the context of that artifact.
The point of this is not historical argumentation, but close and detailed description that points to the limits of what you know about the artifact and what can be known about it. You will structure your paper in ways appropriate for the artifact.
You will also, as described below, offer a plan for digitization. This can simply be a separate section of the document. It should rarely
You may use the first person in describing the materials and your opinions, but you should not describe your personal experience. (Hopefully you will feel a shudder of delight when you crack open an old leather book; but keep that language out of the paper.) Do not include a description of the archive/institution in general, except in cases where it actually affects the data you’re looking at.
Also, branch out beyond the source to provide some minimal context based on published sources. (These should probably be book or journal articles, and probably not web pages. Try to use the library catalog, not Google, for this.) You should be predominantly engaging with your source; one of the purposes of this is to help you see if there are connections to explore further in later work in this class.
Be sure to cite these sources properly. (See below).
Outline–but do not implement!–a plan for digitizing the data here into a form that could be used for further research. If you were going to store it in a digital spreadsheet or database, what sort of fields would you collect information on. Could you store the information in a spreadsheet or database? What sorts of questions could you answer by having the entire dataset digitized. (Assume that you have all the technical analysis capabilities needed to do so). How much time and effort would it take to create a digital version? What aspects of the document might be lost in the transition?
Turn in your paper via e-mail to email@example.com by 5pm on Friday April 3rd.
You should cite the works that you quote and refer to in the text in a consistent format. I recommend the Chicago documentary note format: with it, you give a full citation the first time you use a text, and smaller ones later. For short papers like this, you can omit the final bibliography. If you prefer to use a social-science author-date format with final bibliography, that is also acceptable.
If you are worried about formatting your citations correctly or keeping track of the sources you use, I strongly recommend the open-source citation software Zotero. This will automatically pull citations from the web, and you can drag and drop into a paper to get a formatted citation. Just be aware that online library sources may give you extraneous information, such as the language or a URL. Edit the fields in the library until drag-and-drop gets you good results.
Your primary source for this assignment will be the archival document(s) that you describe: be sure to cite it according to the standards of the archive. This will mean you’ve described it comprehensively enough so that a future researcher could easily find it. In general it includes a description of the collection, box, and folder.
You should also acknowledge any archivists or peers who help you to better understand the materials. Such acknowledgements would typically come either as a footnote to the first paragraph (for general assistance) or as a footnote to the specific place you received help. Do not thank me, though.
Müller-Wille, Staffan, and Isabelle Charmantier. “Natural History and Information Overload: The Case of Linnaeus.” Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 43, no. 1 (March 2012): 4–15. https://doi.org/10.1016/j.shpsc.2011.10.021.
Staffan Müller-Wille and Isabelle Charmantier “Natural History and Information Overload: The Case of Linnaeus,” Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 43, no. 1 (March 2012): 4–15, https://doi.org/10.1016/j.shpsc.2011.10.021.↩